Creat hyper-realistic, vertical 9:16 image, use the person in the uploaded reference photo as the foreground subject on the left. Automatically identify the person’s gender presentation from the reference photo and adapt the Achaemenid-style clothing accordingly: use historically inspired masculine attire for a male subject and historically inspired feminine attire for a female subject. Preserve the person’s original facial features, identity, hairstyle, and recognizable appearance exactly as in the reference photo. The subject stands on the left, with both the body and face turned toward Cyrus the Great on the right. The subject looks directly at Cyrus the Great, making clear eye contact with him, not looking at the camera or in any other direction. The subject’s right hand is raised to the temple in a respectful military salute while maintaining this orientation toward Cyrus. The subject wears an ivory-cream Achaemenid-style garment featuring navy blue borders and gold embroidery depicting flowers and ancient creatures; a crimson cape drapes over the right shoulder. Accessories include a wide belt with a golden winged motif, engraved gold wristbands, and a delicate gold headband bearing a winged emblem. Adapt only the garment’s cut and fit to suit the subject’s gender presentation while preserving the specified colors, embroidery, accessories, and overall historical style. On the right, much closer to the camera, stands a tall man with the iconic appearance of Cyrus the Great, viewed from a rear-three-quarter angle and facing the foreground subject. He wears a tall, navy-and-gold crown, a navy robe adorned with golden patterns, and a wide gold forearm band. His head and body are oriented toward the subject, as if acknowledging the salute. A long wooden spear with a golden spearhead stands vertically between the two figures. The stone Tomb of Pasargadae is visible in the center background. To the left, a navy blue flag displays a golden winged emblem. Maintain the original composition, camera angles, character positions, lighting, historical atmosphere, architectural details, and all specified elements. Ensure the foreground subject’s face and gaze are clearly directed toward Cyrus the Great. Do not make the subject look away from Cyrus or toward the camera. Do not introduce additional people or objects.
Una fotografía profesional de prensa (50mm f/1.4, con un desenfoque de fondo cinematográfico), en formato vertical 4:5, que captura a una persona latina de unos 30 años (el usuario) sentada al volante del Tesla Roadster blanco (image_0.png), que está posicionado en la rampa de exhibición inclinada durante el evento de lanzamiento (image_4.png). Utilizando la regla de tercios, el coche y el conductor ocupan la mitad izquierda del encuadre: se lo ve de perfil/tres cuartos a través de la ventana abierta, con las manos en el volante futurista y una expresión de entusiasmo, mirando hacia un costado mientras conversa. En el lado derecho, se aprecia a Elon Musk (image_2.png) y a los dos presentadores (image_3.png, image_8.png) de pie junto a la rampa, interactuando de forma natural con el conductor bajo la iluminación del evento. Al fondo, la enorme multitud y las pantallas gigantes de "ROADSTER" están suavemente desenfocadas en la penumbra. La toma destaca las luces rojas de la rampa y los detalles del escenario, con un grano fino y la riqueza de color de una fotografía de cobertura periodística de alta gama.
Use the reference image as a strict identity and composition reference. Preserve the subject exactly: facial identity, face shape, facial proportions, skin tone, age, hair, glasses, mustache, tattoo, clothing, lighting, framing, camera angle, and overall photographic style. Do not alter the subject’s face. Create an ultra-close, realistic smartphone selfie in a 4:5 aspect ratio. The image should look like it was taken with a front-facing phone camera held slightly below eye level. The head and upper torso fill the frame. Preserve the subject’s exact appearance from the reference image, including the elderly male face, natural wrinkles, skin texture, glasses, mustache, sparse hair, and calm serious expression. Keep the subject clearly recognizable. The left hand must be extremely close to the lens and positioned naturally in front of the mouth and lower nose, with the back of the hand facing the camera. The wrist enters from the left side of the frame in a natural anatomical angle. The hand must look fully realistic, structurally correct, and relaxed. Hand anatomy is extremely important: show exactly five fingers total, with anatomically correct proportions, correct joint placement, realistic knuckles, natural tendon flow, and believable finger spacing. Four fingers extend downward and slightly to the right in a relaxed curved pose, with each finger bending naturally at the knuckles. The thumb must emerge from the correct anatomical position and hang naturally downward, without looking broken, dislocated, detached, limp, twisted, melted, rubbery, or unnaturally collapsed. The hand should feel heavy and real, affected by gravity in a believable way, but not abnormally drooping. The wrist, palm, and fingers must connect naturally with correct perspective and foreshortening. Keep the hand large due to closeness to the lens, but do not distort its structure. No extra fingers, fused fingers, missing fingers, duplicated nails, warped joints, or unnatural bending. Preserve the exact tattoo from the reference image, including placement, size, handwritten appearance, and the Persian/Nastaliq text "نمک نداره". Preserve the exact clothing from the reference image, including the beige knit sweater and visible shirt collar, without redesigning or replacing them. Environment: a dark, warm indoor room with direct phone flash. The flash should illuminate the hand strongly and the face slightly more softly, creating realistic contrast, natural shadows, visible pores, skin creases, faint veins, and mild smartphone noise/compression. Keep the image natural and imperfect, like a real phone selfie. The final result must feel raw, realistic, and anatomically correct, especially in the hand. Negative constraints: no identity drift, no face alteration, no beautification, no extra fingers, no missing fingers, no fused fingers, no broken anatomy, no floppy or melted hand, no twisted wrist, no deformed knuckles, no distorted thumb, no artificial skin, no glam retouching, no excessive smoothness, no unrealistic symmetry, and no studio-perfect appearance.
Use the reference image exactly. Preserve her identity, facial proportions, eye shape, eyebrow shape, hairstyle and natural asymmetry. Do not alter or beautify her eyes. Extreme close-up smartphone portrait with direct flash. A young woman holds a dark charcoal/green hardcover Persian book directly in front of her face, completely covering her nose, mouth, cheeks, chin and jaw. Only her forehead, eyebrows, eyes and hair are visible above the book. Do not let the nose peek out. She has long, thick, nearly black hair with a center part and natural loose strands crossing her forehead. Her eyebrows are full and dark. Eye makeup: black mascara, black upper eyeliner, subtle dark smoky shadow and lightly smudged lower lash line, with realistic slight asymmetry. Keep her eyes exactly as in the reference. The book has a slightly worn matte cover, subtle reddish borders, a small portrait of an older man near the top, and large white Persian Nastaliq-style text reading «چشمهایش», with «بزرگ علوی» underneath. Use direct harsh phone flash: bright forehead/skin highlights, deep shadows around the hair and eye sockets, dark hair, and a cooler gray-blue dim background with uneven light falloff. Keep realistic skin texture, tiny flyaway hairs, slight lens distortion, mild digital noise/grain, imperfect sharpness and compression. No beauty filter, HDR, studio lighting, excessive sharpening, or AI-perfect skin.
Using my uploaded portrait/photo as the PRIMARY identity reference and the provided historical Qajar-era photographs as the SECONDARY visual and historical-style reference, transform me into a completely authentic-looking woman photographed in late Qajar-era Iran. IDENTITY PRESERVATION — EXTREMELY IMPORTANT: Preserve my recognizable facial identity as accurately as possible. Keep my natural facial structure, face shape, eyes, nose, lips, cheek structure, jawline, eyebrows, and overall likeness. Do NOT replace my face with a generic historical woman's face. Do NOT beautify, idealize, slim, reshape, or Westernize my facial features. I should clearly look like the same person transported into the Qajar period. Preserve my natural facial asymmetry, distinctive features, and recognizable identity. BODY SHAPE & PROPORTIONS — EXTREMELY IMPORTANT: Make me clearly and unmistakably a very full-bodied, heavy, plus-size woman while preserving realistic human anatomy and natural proportions. Do NOT make me slim, athletic, tall, elongated, narrow-waisted, or conventionally model-like. Keep substantial natural fullness throughout my body, including my torso, waist, hips, arms, shoulders, and overall body volume. My body should look genuinely heavy and large, not merely covered by oversized clothing. Preserve believable proportions and realistic distribution of body weight. Do NOT artificially exaggerate the body into grotesque or unrealistic obesity; make me naturally and visibly very heavy and full-bodied. The clothing must naturally fit and drape over my genuinely heavy body, showing realistic fabric tension, folds, volume, and weight. Do not artificially slim or conceal my body shape. HISTORICAL TRANSFORMATION: Place me in the social and visual world of late 19th / early 20th century Qajar Iran. The styling should be inspired by authentic Qajar women's studio portraits and the historical references provided. Everything about the image should feel historically plausible and specifically Iranian Qajar-era, not merely generically "old-fashioned." WARDROBE: Dress me in historically appropriate upper-class Qajar women's clothing inspired by the reference photographs: long traditional Qajar dress voluminous skirt layered garments richly textured traditional fabrics fitted upper garment authentic traditional waist treatment authentic Persian textile patterns period-appropriate embroidery and ornamentation traditional shawl / veil / head covering where appropriate historically plausible jewelry small traditional earrings period-appropriate accessories The clothing must look physically real and naturally fitted to my substantially fuller, heavier body. The garments should follow my actual body volume rather than making me appear slim underneath them. Avoid theatrical costumes, fantasy clothing, modern adaptations, Ottoman styling, Victorian styling, or generic "Arabian" clothing. The result must specifically evoke Qajar-era Iranian fashion. HAIR & EYEBROWS — IMPORTANT: Recreate the characteristic visual appearance of Qajar-era women's studio portraits while preserving my recognizable facial identity. Keep my natural hair color and fundamental facial characteristics, but style the hair in an authentic period-appropriate manner. Create authentic historical hair volume and arrangement, including period-appropriate braids, curls, or head coverings where appropriate. Make my eyebrows clearly and naturally connected into a continuous, dense unibrow across the bridge of the nose, strongly inspired by authentic late Qajar women's photographic portraits. The connected eyebrows should be thick, dark, naturally shaped, anatomically plausible, and fully integrated with my existing facial structure. Preserve my natural eyebrow thickness and general shape while connecting the brows naturally.
Create a cinematic, photorealistic portrait of a person meeting their own childhood self, with exactly two people facing each other. REFERENCE LOGIC Use uploaded personal photographs as identity references. If a scene reference is included, use it only for composition, atmosphere, and lighting; never copy its people or phone interface. If two identity photos are provided—one adult and one childhood photo—use each for its corresponding person, regardless of upload order. Preserve each reference’s recognizable facial features, proportions, age, skin tone, and hair. Do not blend or swap their faces. If only one adult identity photo is provided, preserve that adult’s identity and create a plausible imagined 6–8-year-old version of the same person. Derive the child’s resemblance from the adult’s eyes, brows, nose, lips, face shape, skin tone, and natural hair characteristics, with realistic childhood proportions. This is an artistic interpretation, not an exact reconstruction. For a woman, create her younger girl self; for a man, create his younger boy self. The child represents the adult’s own past, not their son or daughter. Do not request another photo. COMPOSITION AND EMOTION Vertical 9:16, full-length composition with both people and their shoes entirely visible. Place the child on the left and the adult on the right, standing about one meter apart on the same floor plane. Their bodies turn toward each other in three-quarter profile, with both faces clearly recognizable. The child tilts their head upward, looking into the adult’s eyes with curiosity and a subtle, hopeful smile. The adult gently lowers their gaze toward the child, with a tender, reflective expression. Both have relaxed shoulders and hands naturally tucked into their own trouser pockets. Maintain believable height differences and anatomy. Convey a quiet, emotional reunion across time. WARDROBE Dress the adult in an elegant, well-fitted dark charcoal suit, an ivory open-collar shirt, and polished black shoes, tailored naturally to the person. Dress the child in a muted vintage-patterned short-sleeve shirt, slightly loose blue jeans, and white sneakers. Preserve reference hairstyles and existing facial hair where applicable; no imposed makeup or beautification. SETTING AND LIGHTING A vast, dark, grand interior with towering columns, distant stairs, and small warm wall lamps. A polished dark stone floor reflects the figures and amber lights naturally. A soft golden shaft of light enters from the upper left through faint atmospheric haze, illuminating the faces and outlining their hair and shoulders. Deep charcoal shadows, restrained warm highlights, realistic fabric and skin texture, subtle film grain, and softly receding architectural details. Keep the faces readable despite the moody lighting. One cohesive photograph, not a collage or split screen. No extra people, duplicated bodies, distorted hands, text, logos, watermarks, borders, or screenshot interface.
ایجاد تصویر با استفاده از تصویر مرجع، یک عکس کاملاً فوتورئال و طبیعی با همان ترکیببندی بازسازی کن. با همان چهره و هویت فرد موردنظر، شب هنگام کنار یک سنگ قبر مشکی براق نشسته و زانوهایش را جمع کرده، سرش را آرام روی دستهایش گذاشته و با حالتی غمگین به پایین نگاه میکند. لباس کاملاً مشکی و ساده، موها مانند مرجع بماند با بافت واقعی. روی سنگ قبر تصویر پرتره همان فردی باشد که کنار سنگ قبر نشسته؛ چهره، فرم صورت، چشمها، بینی، لبها و هویت او در هر دو تصویر کاملاً یکسان و قابلتشخیص باشد. روی سنگ قبر نوشته فارسی «نام شما» با ظاهر حکشده و طبیعی دیده شود. چند شمع روشن گرد کوچک، گلهای سفید و ریز روی قبر، انعکاس نور روی سنگ، فضای قبرستان واقعی در شب، نورپردازی کمنور و سینمایی، پسزمینه تار و طبیعی. بدون تغییر چهره، زیباسازی مصنوعی، پوست پلاستیکی یا ظاهر CGI. نسبت تصویر 4:5.
Transform the reference into monochrome Persian calligraphy art. Preserve exact facial identity, anatomy, proportions, features, texture, asymmetry, age, expression, gaze and head angle. No beautification, reshaping, smoothing or stylization. Realistic graphite-and-ink face with natural imperfections. Keep gender-appropriate hair, blending parts into elegant abstract Nastaliq-inspired ribbons. Transform clothing/shoulders into flowing interconnected black-gray calligraphic forms following folds and volume. Use only decorative unreadable strokes, curves, dots and ink ribbons; no names, poetry, sentences or Latin text. Warm ivory paper, delicate graphite shading, handmade ink variation, elegant negative space, clean light background, face as focal point, head and upper torso, vertical 3:4. No crop, distortion or facial alteration.
با استفاده از تصویر چهرهٔ مرجع، یک عکس کاملاً فوتورئال و طبیعی بساز. هویت و ویژگیهای واقعی چهره را دقیقاً حفظ کن و فرم صورت، چشمها، بینی، لبها، رنگ و بافت طبیعی پوست و جزئیات قابلشناسایی را تغییر نده. فرد را در یک کلاس واقعی مدرسه در ایران، در فضای روز اول مهر، نشسته پشت یک میز چوبی مدرسه قرار بده. لباس متناسب با جنسیت و استایل فرد باشد: برای دختر، مانتوی فرم ساده، شلوار فرم و مقنعهٔ مدرسه؛ برای پسر، پیراهن فرم مدرسه، شلوار پارچهای و کفش رسمی ساده. جلوی فرد کتاب فارسی پایه اول و وسایل مدرسه باشد. پشت سر، تختهٔ گچی با نوشتهٔ واضح «اولین روز مدرسه مبارک» دیده شود. کنار میز بادکنک و تزئینات سادهٔ مدرسه قرار داشته باشد. نور طبیعی، فضای گرم و واقعی، بدون ظاهر مصنوعی یا کارتونی.
ИСПОЛЬЗУЯ ПРИКРЕПЛЁННОЕ РЕФЕРЕНС-ФОТО КАК ОСНОВУ ДЛЯ ВНЕШНОСТИ ЦЕНТРАЛЬНОГО МУЖСКОГО ПЕРСОНАЖА — ВОССОЗДАЙ ЕГО ЛИЦО, ТЕЛОСЛОЖЕНИЕ И ЧЕРТЫ МАКСИМАЛЬНО ТОЧНО. КРИТИЧНО: ЭТО КОНКРЕТНЫЙ РЕАЛЬНЫЙ ЧЕЛОВЕК С РЕФЕРЕНСА, НЕ ПЕРСОНАЖ И НЕ СОБИРАТЕЛЬНЫЙ ОБРАЗ. ФОРМА ЛИЦА, ГЛАЗА, НОС, ГУБЫ, СКУЛЫ, ПОДБОРОДОК, ТОН КОЖИ — ВСЁ ИДЕНТИЧНО РЕФЕРЕНСУ, ЛЮБОЕ ОТКЛОНЕНИЕ НЕДОПУСТИМО. НА МУЖЧИНЕ БЕЖЕВАЯ СПОРТИВНАЯ КУРТКА EMPORIO ARMANI С ЛОГОТИПОМ EA И ТЁМНЫЕ СПОРТИВНЫЕ БРЮКИ-ДЖОГГЕРЫ. МУЖЧИНА СТОИТ У ВЕРТОЛЁТА НА ЛЁТНОМ ПОЛЕ АЭРОПОРТА, ЛИЦО ПОВЁРНУТО В СТОРОНУ КАМЕРЫ — ЛЁГКАЯ САРКАСТИЧНАЯ УХМЫЛКА, УГОЛКИ ГУБ ПРИПОДНЯТЫ, ВЗГЛЯД ПРЯМОЙ И УВЕРЕННЫЙ, НАПРАВЛЕН ПРЯМО В ОБЪЕКТИВ. ДВОЕ СОТРУДНИКОВ ФСБ В ВОЕННОМ КАМУФЛЯЖЕ, БАЛАКЛАВАХ И С НАШИВКАМИ «ФСБ» КИРИЛЛИЦЕЙ (ИМЕННО «ФСБ», НЕ «FSB») КРЕПКО ДЕРЖАТ МУЖЧИНУ ЗА ПЛЕЧИ С ОБЕИХ СТОРОН. РЯДОМ СТОИТ ВЕРТОЛЁТ С РАБОТАЮЩИМИ ВИНТАМИ, ЛОПАСТИ СОЗДАЮТ ЛЁГКОЕ РАЗМЫТИЕ В КАДРЕ, БОРТОВЫЕ ОГНИ ВЕРТОЛЁТА МИГАЮТ КРАСНЫМ И БЕЛЫМ СВЕТОМ. СЦЕНА ПРОИСХОДИТ НОЧЬЮ НА ЛЁТНОМ ПОЛЕ АЭРОПОРТА, ИДЁТ ДОЖДЬ — КАПЛИ ДОЖДЯ ВИДНЫ В СВЕТЕ ПРОЖЕКТОРОВ, МОКРЫЙ АСФАЛЬТ ЛЁТНОГО ПОЛЯ ОТРАЖАЕТ ОГНИ ВЕРТОЛЁТА И АЭРОДРОМНОЕ ОСВЕЩЕНИЕ. КУРТКА И ВОЛОСЫ МУЖЧИНЫ И СОТРУДНИКОВ ФСБ НАМОКЛИ ОТ ДОЖДЯ. НА ЗАДНЕМ ПЛАНЕ ОГНИ ВЗЛЁТНО-ПОСАДОЧНОЙ ПОЛОСЫ АЭРОПОРТА УХОДЯТ ВДАЛЬ, ТЁМНОЕ ДОЖДЛИВОЕ НЕБО. НЕСМОТРЯ НА ДОЖДЬ И ДИНАМИКУ СЦЕНЫ — ЛИЦО МУЖЧИНЫ ЧЁТКОЕ, В ФОКУСЕ, ЧЕРТЫ РЕЗКИЕ И УЗНАВАЕМЫЕ, ТОЧНО КАК НА РЕФЕРЕНСЕ. РАКУРС: КАМЕРА НА УРОВНЕ ГРУДИ, СЛЕГКА СНИЗУ ВВЕРХ — МУЖЧИНА В ЦЕНТРЕ КАДРА, ВЕРТОЛЁТ И СОТРУДНИКИ ФСБ ПО БОКАМ, ДОЖДЬ И ОТРАЖЕНИЯ НА МОКРОМ АСФАЛЬТЕ НА ПЕРЕДНЕМ ПЛАНЕ. СТИЛЬ СЪЁМКИ: ИМИТАЦИЯ IPHONE 15 PRO, 26 ММ, F/1.8, ISO 1600, 1/50 С — КАПЛИ ДОЖДЯ НА ОБЪЕКТИВЕ СОЗДАЮТ ЛЁГКОЕ РАЗМЫТИЕ ОТДЕЛЬНЫХ УЧАСТКОВ КАДРА, ЕСТЕСТВЕННЫЙ ЦИФРОВОЙ ШУМ, СМАЗ ДВИЖЕНИЯ НА РУКАХ СОТРУДНИКОВ, ДОКУМЕНТАЛЬНАЯ КИНЕМАТОГРАФИЧНОСТЬ, СЪЁМКА С РУК, ФОТОРЕАЛИЗМ. ВАЖНО: ЛИЦО И ВНЕШНОСТЬ МУЖЧИНЫ ДОЛЖНЫ ПОЛНОСТЬЮ СОВПАДАТЬ С ПРИКРЕПЛЁННЫМ РЕФЕРЕНСОМ — ТОТ ЖЕ ЧЕЛОВЕК, 100% СХОДСТВО, БЕЗ КАКИХ-ЛИБО ИЗМЕНЕНИЙ ЛИЦА. СООТНОШЕНИЕ СТОРОН: 9:16
